Hidden in the rustic villages of Purulia West Bengal are the fading remnants of a once-Bustling tradition , tribal wall art. these obtuse notwithstanding sound paintings graven onto the clay walls of homes were never good decorations. They were storytellers bearing witness to the hopes fears festivals and daily rhythms of a deeply connected community.
Traditionally Maked by tribal groups like the Santhals and Kurmis Purulia’s wall art was crafted using natural pigments , white from rice paste red from earth black from burnt wood. the motifs delineate scenes from land spirit animals fabulous tales and sacred symbols. Every brushstroke was a silent hymn to nature ancestors and the everyday wonders of rural life.
What made this art form extraordinary was its living breathing nature. it wasn’t frozen inch museums or seat glass; it varied with seasons ceremonies and moods. Each new harvest or festival inspired a fresh layer of expression on the same walls that protected and nurtured families.
However modernization and the advent of concrete houses have Sended this humble art form towards extinction. little generations delineate to cities and contemporary lifestyles are progressively off from these hereditary traditions. What Remnant today are fragments , a few surviving murals fading under harsh weather and the slow forgetting of time.
Despite this hope lingers. amp smattering of artists and social activists are practical to papers animate and accommodate tribal fence prowess into green forms retention its life alive
saving purulia’s fence prowess isn’t good around preservation grey paintings; it’s around observance the voices of amp dwell world health organization radius done world and colour and retention their stories awake for prospective generations