Chor Chunni and Bishahara: Folk Theatre Traditions of Jalpaiguri

Jalpaiguri, a district known for its rich cultural diversity, is home to several unique folk traditions that blend storytelling, music, and performance. Among the most prominent forms of folk theatre in this region are Chor Chunni and Bishahara—two vibrant traditions that have long served as both entertainment and oral history for local communities.

Chor Chunni is one of the oldest and most popular folk musical theatre forms in Jalpaiguri. The name literally translates to “thief and scarf,” but the performances go much deeper than the title suggests. This form of theatre is performed during village gatherings and festive occasions, using sharp wit, satire, and rhythmic dialogue to comment on social issues, human behavior, and local politics. Actors often use minimal props and traditional musical instruments like the dotara, dhol, and flute, making it accessible and deeply rooted in rural life. Its humor and improvisation keep the audience engaged, while also delivering powerful social messages.

Bishahara, in contrast, is a ritualistic and religious form of folk theatre centered around the worship of Manasha, the serpent goddess. These performances typically occur during the Bishahari Puja, a local festival dedicated to the goddess, and narrate stories from the Manasha Mangal—a mythological tale of faith, struggle, and divine intervention. Performed by local artists, Bishahara combines music, dance, drama, and devotion to create an immersive theatrical experience. Characters like Behula, Lakhindar, and Chand Saudagar are commonly portrayed, representing resilience, faith, and moral choices.

Both Chor Chunni and Bishahara serve as cultural bridges—connecting the past to the present, myth to reality, and tradition to expression. Through them, Jalpaiguri’s folk theatre continues to inspire, educate, and entertain, keeping the soul of the community alive on stage.